Thelonious Monk Quartet With John Coltrane At Carnegie Hall 1957

Thelonious Monk Quartet With John Coltrane At Carnegie Hall is a live album.

It was recorded on 29 November 1957 in New York as part of a benefit concert for the Morningside Community Center in Harlem.

Thelonious Monk Quartet With John Coltrane At Carnegie Hall

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Erroll Garner Concert by the Sea 1955

Concert by the Sea is a live album by jazz pianist Erroll Garner.

It is a recording from a concert in a converted church on a military base near Carmel, California on September 19, 1955. It was originally an unofficial recording and the sound is not to standard.

However the playing of Erroll Garner shines through.

Erroll Garner Concert by the Sea

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Ella Fitzgerald Ella In Rome The Birthday Concert 1958

Ella in Rome The Birthday Concert is a live album by Ella Fitzgerald.

It was recorded on April 25, 1958 in Italy with a jazz trio led by Lou Levy. The last track Stompin’ at the Savoy has Ella backed by the Oscar Peterson trio. It was released ion 1988.

This was Ella’s 41st birthday.

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The Quintet Jazz At Massey Hall 1953

Jazz At Massey Hall is a live album by The Quintet. It is a recording of the concert at Massey Hall in Toronto 15 May 1953.

This begs the question “who are the Quintet?”

Just possibly the greatest assembly of jazz talent ever put together on one stage… Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus and Max Roach.

I understand that this was the last time that Dizzy Gillespie and Charlie Parker ever recorded together because of bad feelings between them.

An extended recorded version of this concert has also been released with 14 songs but half of them don’t include Parker and Gillespie. The purist in me thinks that you should go straight for the longer concert but it’s live Charlie Parker and Dizzy Gillespie that attracts me.

The Quintet Jazz At Massey Hall

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Duke Ellington At Newport 1956

Ellington At Newport is a famous live album by Duke Ellington and his band. It was recorded at the Newport Jazz Festival on July 7, 1956 and was released later the same year.

In 1999, a CD was released that brought us the complete recordings spread over two CDs together with some bonus songs.

By the 1950s, big bands had gone out of fashion and Duke Ellington no longer had a recording contract. This re-energised his career and is one of the most famous “live” jazz albums.

The most famous part of the album is the 27 bar saxophone solo in Diminuendo and Crescendo in Blue by Paul Gonsales and that was recorded into the wrong microphone, going out to Voice of America listeners but not properly captured on the Columbia recording. It obviously needed to be fixed.

It turns out that the original At Newport album was not as we thought. It’s said that only about 40% of the album came from the live performance with the remainder recreated in the studio to correct playing and recording problems and with crowd noise mixed back in to create the live atmosphere.

Modern recording techniques finally meant that the performance could be recreated from the original tapes of both of the recordings made for Columbia Records and the Voice Of America radio show and that’s what happened in 1999 when the CD emerged.

Duke Ellington At Newport

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