Spring 1990: So Glad You Made It is a compilation live album by the Grateful Dead.
It picks highlights from the six concerts (from six different venues) featured in the 18 CD box-set Spring 1990.
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So Many Roads is a live compilation album by the Grateful Dead which pulls together songs from concerts and rehearsals between 1965 and 1995.
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Spring 1990 is a limited edition box set featuring six concerts on 18 CDs by the Grateful Dead.
It is not to be confused with Spring 1990: So Glad You Made It (highlights from these six concerts) or Spring 1990:The Other One (six different concerts).
It features one concert from each of the six venues visited by the band on their Spring tour:
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View From The Vault Volume One is a live album and DVD by the Grateful Dead.
It was recorded at Three Rivers Stadium in Pittsburgh on July 8, 1990 and bonus material has been added from the concert at Cardinal Stadium, Louisville on July 6, 1980.
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Dozin’ at the Knick is a live album by the Grateful Dead.
It was recorded at the Knickerbocker Arena in Albany, New York on March 24,25 and 26 1990.
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Panic In The Streets is a live album and DVD by Widespread Panic.
It was recorded at Downtown Athens, Georgia on April 18, 1998. The second CD is a bonus live recording from a concert at the Georgia Theater.
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Without A Net is a live album by the Grateful Dead.
This was recorded on their tour from October 1989 to April 1990.
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Another Joyous Occasion is a live album by Widespread Panic and it features The Dirty Dozen Brass Band.
It was recorded on tour in the summer and autumn of 1999.
Continue reading Widespread Panic Another Joyous Occasion 1999
Light Fuse Get Away is a live album by Widespread Panic.
It was recorded on tour in 1997. According to Wikipedia, well known jazz artist, Branford Marsalis plays saxophone on Pickin’ Up The Pieces and this was recorded on September 7, 1997 in Boston.
Sco-Mule is a live double album by Gov’t Mule featuring John Scofield.
It was recorded at two concerts in Georgia in December 1999.
If you’re not familiar with John Scofield, he’s an American jazz rock guitarist who played with the Miles Davis band for three years in the early 1980s – see his Wikipedia page for more details.
His style of playing creates a strong contrast with the powerful blues rock of Gov’t Mule that may delight or disappoint fans of both.
I should also point out that these are instrumental tracks and that’s a problem for me. While I love instrumental breaks and solos, I like songs to be grounded with vocals.
I admire Gov’t Mule’s desire to experiment and try new things live in concert like Sco-Mule and the Dark Side Of The Mule and Holy Haunted House and their desire to share these different experiences with their fans.
